reissue of 1995 classic which includes daft punks first ever remix, plus 2 new remixes, limited)
150gr black vinyl
white standard spined sleeve 3mm with 2 holes on reversed cardboard + black inner sleeve 2 holes + shrink + 6cm round sticker

incl download-code zu allen ausgespielten tracks im wav- & mp3-format

black 180 gram double vinyl in gatefold sleeve, download code (all tracks + mixset) and art print included.

limited and numbered orange 180 gram double vinyl in gatefold sleeve, download code (all tracks + mixset) and art print included.

leron thomas and thatmanmonkz are back with their second album as pan amsterdam.

dj swagger and luz1e team up to present you this wonderful collaboration project.

media burn ist die debüt ep von totem.
4 prägnante tracks industrieller elektronik und rhythmischer geräusche, die im geiste des hardcore punks geschmiedet wurden.

the punks are back on private persons!

double vinyl reissue of the sophomore brand nubian album from 1992.

kez ist ein mysteriöser, aber sehr produktiver musiker aus cornwall, dessen umfangreiches material fast vollständig unveröffentlicht ist. er stieg aus der asche des punks auf und 1979 experimentierte er bereits mit 17 jahren mit der mischung zahlreicher musikformen und verdrehter elektronik.

nina hagen band und unbehagen als doppel-vinyl im klappcover.

canadian experimental synth psych po private press from 1979 now expanded to 2xlp with 14 bonus tracks / demos.

brand new expanded ep from glasgow legends free love aka happy meals

punks are back! after a stunning debut in 2017 these guys are returning with new material. this record was influenced by the latest events connected with governmental issues with russian club culture - raids, shutdowns of clubs and major festivals. damage was inflicted on our beloved clubs and festivals such as outline, arma17, rabitza. we admire our neighbors who fought for their houses and managed to protect them: ukrainian closer, british fabric and georgian bassiani.
this is a message about a sincere wish to save equality and independence. there’s no place for political games in our cultural life. only freedom matters.

the keeping of pets marks humans attempt at taking possession of a part of reality that is not at his disposal. dressing a piece of the real that lives according to entirely non-human rules and which only in the saddest case does not resist the discipline of the human symbolic order vehemently and in a sustained matter, is a violent act of protection. because in the non-place of the real, all that which we are helpless in the face of looms: the non-logical and the nameless, the violence and the noise, yet also the unrestrained and unfiltered desire.&#8232,,,the innocuous figure of the pet marks a gateway to an investigation of these eerie milieus, while electronic dance music lends itself to this investigation in an outstanding way. this constellation marks the subject of columns pets ii.

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track do you believe? poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called daytime disco through tracks like their cover of neil youngs harvest moon and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called slow down as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albums release, remixes for artists like matthew dear, little dragon and fools gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

appearing out of nowhere in particular in 2017, donald dust s debut ep for no bad days and subsequent fleeting cameos for bordello a parigi and paradise palms introduced the world to his musical sphere: wbmx radio mixes, ron hardy drum tracks, the golden era of italo synths and the rawer fledgling sounds of eurodisco-influenced house circling and overlapping in his productions and dj sets.

the new 7&#8243,, mars r-trax mines the depths of youtube modular synth demos, adam & fleisner sfx and disco drum 12&#8243,,s resulting in a two-part dj tool for cosmic punks.

dark entries is proud to release ‘commerce’, the third ep from san francisco-based trio inhalt, german for “content”. the group was founded in 2009, and for the purposes of this recording are matia simovich, philip winiger and steven campodonico. inhalt’s core operative strategy is of sonic fidelity and integrity rather than nostalgia. their first release was a split 12- on world unknown in 2011 followed by two eps on dark entries, a remix ep on emotional especial and a part time punks session on cleopatra. ‘commerce’ is a close examination of the self destructive tendency of the ego in relation to the allure of negativity and mass tragedy. the ep details the psychopathy of relentless thirst mandated by neo-liberalism and traverses through the adoption of social and economic technologies that strengthen domination vis a vis self enslavement to disempowerment. employing the best of both modern and vintage techniques, the four songs on the ep utilize dense production, big snares, and powerful german vocals from philip. inhalt are informed by the brooding soundtracks of john carpenter as much as the vastness and sheen of trevor horn, and set out to explore the borders between the vocal-driven pop song and the expansive dancefloor 12&#8243,,,, arrangement. the record was produced over four years at the bands own black sun loft recording studio and different fur studios. paul lavigne mastered the ep in london, england at kontrast mastering and george horn handled the vinyl eq curve at fantasy studios, berkeley. each ep is housed in a specially designed jacket by leo merz and includes a lyric sheet with english translations.

from tillburg to hamburg, from the brutal techno of drvg cvltvre to the distorted synths of fallbeil, that new avengers split ep is an acid trip into the raw sounds of northern europe s diy rave scene some hard stuff for the 21st century punks!

seth troxler’s play it say it label opens up 2018 with another release from the highly regarded ataxia, who serve up their third ep for the imprint. the detroit duo impressed with their previous outings on the label, the supertouch ep back in july 2017 and the acid ep in 2016. since then they have also released on leftroom and nervous and continued their eight year residency at prominent detroit venue tv lounge. their fresh take on motor city techno often comes with flashes of acid and makes cyber punks ted krisko and eric ricker one of the most interesting pairs in the game. opening up the essential ep is ‘quicksand’, an immediately arresting and busy electro track with real machine soul. the bassline bubbles and boils underneath crisp percussion and emotive keys bring a sense of tenderness. it’s a macho cut with robust drums and is sure to win over any crowd. the fresh ‘hot snakes’ is a deep, menacing track with dark bass gurgling beneath the airy hi hats. frazzled synths are dystopian and brain frying, and together the whole thing takes you into hypnotic territory with an intense sense of urgency that is impossible to ignore. last of all is the freakiest of the lot. the brilliant ‘texas is the reason’ has circling bass that is warped and intriguing and will own any club, while the drums drive on and trippy keys are skewed and twisted up top. it’s a truly intense record for late in the night that is sure to become a big tune. this is an expressive and varied ep full of contemporary and innovative detroit house and techno sounds and marks another step in the ataxia story.

early 80s. christiane f and tron meet over a brutalist landscape. clock is ticking. electronic pioneers bang up post punks. dirty hits. take more. time is running out. northern european sub-cultural appropriation to destroy the dance. still, it sounds good. and it looks nice. nice sleeve art. move along. move along.

the son of a radio dj who introduced him to the world of record collecting, harris grew up with music, progressing from violin, to high school drum line, to the jazz studies program at virginia commonwealth university. he also continued working with other instruments and developed an interest in sampling. his development as a producer at first, without a computer or sampler came first learning to replay samples on the drums, piano, bass or guitar. dj harrison finds himself inspired by local musicians in the richmond scene thats as diverse and nonexclusive as they come. among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. he lives and works in jellowstone, a house turned recording compound occupied by his band mates in butcher brown, a garage punk jazz funk group.

die blitzgescheiten punk-soul-brüder melden sich zurück. es geschehen noch zeichen und wunder: schlappe zweieinhalb jahre nach ihrem letzten album -why not?- (2008) legen die sympathischen sonderlinge von superpunk ein neues album vor. nicht nur das: -die seele des menschen unter superpunk- ist das album, das man sich von superpunk (und auch von jeder anderen band) immer gewünscht hätte. die platte ist ein zärtliches und schmunzelndes -fuck you!- an, und jetzt kommt’s: die umstände. die lässigkeit und die größe, sich bei total aus der mode gekommenen musikstilen zu bedienen, die verachtung für die masse und die eliten, die textliche und musikalische autonomie - all das hat auf -die seele des menschen unter superpunk- sein zuhause gefunden. nennen wir es stil: rumpeln und groove, doo wop und 60s punk, angebertum und bescheidenheit schließen sich eben bei superpunk nicht aus. denn die blitzgescheiten genussmenschen sind musterschüler des punks, und dessen erste regel lautet nun mal: du sollst nicht langweilen! produziert wurde das album vom hamburger soulbrother bernd begemann.

dj harrison is richmond va-based producer and multi-instrumentalist devonne harris. the son of a radio dj who introduced him to the world of record collecting, harris grew up with music, progressing from violin, to high school drum-line, to the jazz studies program at virginia commonwealth university. he also continued working with other instruments and developed an interest in sampling. his development as a producer at first, without a computer or sampler came first learning to replay samples on the drums, piano, bass or guitar. dj harrison finds himself inspired by local musicians in the richmond scene thats as diverse and nonexclusive as they come. among rappers, producers, punks and bluegrass bands, he falls within reach of an expansive pool of musicians to collaborate with. he lives and works in jellowstone, a house turned recording compound occupied by his band mates in butcher brown, a garage punk jazz funk group. hazymoods, dj harrison’s stones throw debut, was recorded there completely on tape, where the living room functions as a communal recording studio

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief. all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night. over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musics lifetime.

we are pleased to announce dj hells 5th album zukunftsmusik, to be released on international deejay gigolo records. the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbelief… all of these moments have shaped us, our music and our culture. each movement comprising artists who – like us right now – are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the future…reflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hell’s strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, music’s lifetime.

(mattia trani remix) limited edition of 150 copies. the french punks 90 process debut on pushmaster discs with an amazing real techno acid bangin ep: truly rave inspired cuts!

my cube is cube’s first vinyl lp and it is a multifaceted, kaleidoscopic listen, containing a multitude of moods and atmospheres. it sounds like the west coast’s answer to container, and will appeal to fans of aussie synth-punks total control just as much as it will to fans of regis, silent servant, and their seminal downwards record label.

following windom’s ep of boisterous bangers, pater noster is proud to introduce the debut lp from swedish synth wizard christian Åkerström. produced under the alias folkvett, tröskelvärk is a collection of ten infectious, hypnotic and cinematic frost-covered nordic synth jams. analogue and uncompromising melodic minimal synth, this is music for the ice-cold punks.

hunting down the coolest sounds around the globe, the wewantsounds crew have curated another special mix for your lazy sundays. dishing out a tasteful mix of new tracks from under the radar, this selection features a string of sunny pop, indie grooves, chilled electro and relaxed disco, the whole seasoned with a couple of leftfield cult classics and classy jazz tracks for good measure. sunday mixtape is the perfect sonic brew that will bring you back to life after a long night or hard partying.
the double vinyl release includes a download code.

selected advent deal - gerry read with a complete leftfield take on house music. mental jacktrax! mental jacktrax by gerry read. easy to resist these non-formulaic jack tracks in the days of conformist dance music cause its not the tunes that will make your crew do the fist pump thing during the weekly big headliner rave... but we like!! mr read is funky as fuck and reminds us a bit of dutch techno punks unit moebius (which is always a good thing!)

the debut release on mark moore s new needleboss imprint has the charismatic musical maverick making an awaited electronic disco inspired incursion into the s express archive, bringing together a team of personally selected producers, i-robots, punks jump up, vanilla ace and superman lovers, to contribute special excursions picked from the catalogue.

emotional rescue returns to the post war music of west germany and the work of dominik von senger and his cohorts based around the dunkelziffer project. this special -sampler- ep of recordings was produced as their part in cologne s stollwerck art complex, that acted as a home and inspiration to their musical experiments. based within the disused industrial warehouses spaces of stollwerck, a mix of post-hippies, punks and anarchists created a community within that fed off each other s artistic endeavours.

max guld was a post-punk musician from glostrup, denmark one of the western suburbs of copenhagen. in 1983 he formed a band called den forspildte elite with a friend from high school taking inspiration from experimental art punks the residents. from the beginning of 1984 to the beginning of 1985, he recorded a solo album in his 30 square meter apartment. the result was a 40 minute cassette titled for enden af corridoren released in 1985 on hub records that was limited to 100 copies.

last copies left !!
a bold move to cover a daft punk record? perhaps but off msg and vocalist hadi create a respectful update of the oft overlooked romanthony penned finale to daft punks second album. too long is one side of vinyl and 6 minutes of classic infectious house music as uncomplicated as it is effective. sounding not unlike an early marshall jefferson / jungle wonz record. hadis vocal leads the way, underpinned by loose house beats, live tambourine, a when house was discos little brother bass line and analogue disco stabs that punctuate the space. strictly limited to 500 hand stickered, stamped and numbered with no repress. these will not hang around mastered by original two lone swordsman mr keith tenniswood.

prostitutes – aka cleveland, ohio marauder james donadio - flexes a whole new set of muscles on nouveauree, his first work for night school. sticking to an all-analogue machinebased strategy, donadio has warped and stripped his palette to create a juddering force majeure across 5 tracks and 28 minutes of power play.

zwölf jahre dispo: reissue des comeback-albums der düsseldorfer diskurs-punks, inklusive 3 bonus-tracks.

pop music rarely comes as honest and heartfelt as when delivered by molly nilsson. ltd to 500 8 track ep. having traveled around the world singing to the romantic and the doomed, nilsson found herself in the late summer of 2014 in buenos aires. inspired by the crumbling andscape and the heavy hearts that populate it, sólo paraíso is not only an ode to a specific time and space but a musical novella that meditates on youth, idealism and belonging. the soundtrack to a summer you thought you had when looking over bleached out old photo albums.

zum 25-jährigen bandbestehen: 25 bands covern 25 songs der rostocker punks. doppel-vinyl-lp im klappcover.

remixes of the 2011 ladytron album *gravity the seducer* on limited edition blue colored vinyl, including download code.

following todd terjes incredible 2012 remix of roxy musics love is the drug, bryan ferry has recruited some of the best producers in the world to remix his 1985 hit dont stop the dance.

debut single off daft punks #1 album, random access memories. musically, *get lucky* is a disco and funk song while lyrically, according to pharrell williams, the song is about the fortune of finding chemistry with someone and not just about sexual chemistry. the single has topped numerous charts around the world... pressed on hi quality 180gr vinyl, also includes digital download

limited triple vinyl, contains here we go! ep (aa-16) and i m a hotshot robot (pkglp24).

das texanische quartett beschwört dylan und die 60er-jahre. die vinyl-lp kommt inklusive code für kostenfreien mp3-download des albums.

sixteen indie-dance tracks including amongst others friends, citizens!, peter & the magician, moonlight matters, rufus.. as well as a world exclusive premier remix of sun, two door cinema clubs second single, by kitsunes founder himself, gildas loaec!

the 2nd in future classics 7inch cover series. cadillacs cover of daft punks >too long< pulls the tempo down, brings out the tropical mallets, brings the same catchy bass lines and crooning vocals that you remember from the original. new navy have stripped out all the electronic elements of the telepopmusik original and replaced with their signature clean bright guitars,island percussion and ben mcinerneys rich vocals.